About Social Media Monster

The film Social Media Monster is a thinly veiled political propaganda campaign, designed to manipulate the viewer, erase my filmmaking, activism, and journalism career and rebrand me as an internet troll.

Behind the scenes, the documentary is being used to destroy powerful environmental and anti-corruption causes and has been used to impact the health and safety of millions of unsuspecting people in the United States and Canada.

Social Media Monster Deep Dive

As with every other part of Social Media Monster, when pressed with tough questions, the director resorts to logical fallacies, manipulations of reality, and blatant lies, to make his point.

SuperfundResearch.org was rebranded to ToxicWasteSites.org, in 2020. They are essentially the same organization. The latter was never a part of Matthew Berdyck LLC and is statutorily a sole proprietorship in the State of California.

SuperfundResearch.org was managed by Alex Hwang, who in in 2018 stole the hosting package, the URL, and data, at which point the director got his underling to purchase the URL and redirected it to the Social Media Monster website. I was forced to rebrand to deal with the data theft.

No activist in the country is judged on whether not they are an activist based on their LCC, or business structure, or lack thereof. This is absurdist logic.

According to the director, the final edit of the film took place in April of 2024, long after ToxicWasteSites.org was formed.

A 2021 court ruling in Franklin County, Ohio determined,”Matthew Berdyck is an activist, journalist, and filmmaker.” Roanoke Times and ABC News also confirm my claims.

Is this deep dive just “saying things without evidence?”

No. What follows on this website is an accurate assessment of missing information from the film and deep dive. Ross is gaslighting the world when he says he brings the receipts. One can view the long and growing list of missing information featured on this site, scan his deep dive, and you’ll find that none of information I say is missing from from his film and deep dive is there.

Watch

Matthew Berdyck Social Media Monster Interview

My first ever interview in my 14 year career as a filmmaker, activist, and journalist. In this podcast, I tell the real IHOP story, correct the false back story, and reveal all sorts of information that Peter John Ross failed to include in the movie, including solving the mystery of my now infamous furniture.

Is director Peter John Ross an honest man?

Peter John Ross has made 44 short films, a feature length film, and he’s recorded almost 25 hours of podcasts, to overwhelm people with so much information and disinformation that no human being has months of time to sift through his claims. The director asks the public to ignore key evidence, including media sourcing from multiple media outlets, and for viewers to accept that things they can see with their own eyes do not exist. In short, he’s a con man exploiting any human being who will listen.

City Councilman Brian Myers endured a national racism scandal during production but it was left out of the film.

Missing Information

The director has advertised the film as different than other documentary films because his production has brought the receipts via a deep dive Google Drive.

Yet the film and deep dive itself are missing volumes of information which the production has either left out or failed to obtain.

In some cases, key information was removed from the film (from the rough to the final cut) because it discredited the narrative of the documentary.

The exclusion of this data is paramount to determining the credibility of the statements made in the film and of the director, himself.

Peter John Ross maintained a pattern of willful ignorance throughout the production of the movie. If he was made aware of missing data points, he’d fail to obtain them and claim, “I haven’t seen any evidence of [insert subject].”

If there was data that was publicly available but disagrees with him, he’d passes the burden onto the viewer and say, “Anyone can contact [insert name of agency] to obtain the records, themselves.

Without this data to back up the movie, it’s impossible to know if various statements and series of events are true or actually happened.

Withholding the data demonstrates an intent to manipulate the viewer, via cherry picking of information and other logical fallacies.